I was going to hold off on this post for a few days, as technically, I’m not quite finished with the ebook I was reading, but as everybody’s talking about the Kindle 2 today, I think it’s time to say my piece.
Of all the blog posts I’ve written, this post about Oprah Winfrey’s endorsement of the Kindle has caused me the most distress. I posted it because I felt that Oprah had a reputation as some sort of savior to book people (indie book people really loved her and felt betrayed by her endorsement of the Kindle), and I wanted to poke a hole in that. The responses branded me as a head-in-the-sand, troglodytic old fogie.
What bothered me about this was that, well, I’m not really any of those things (although I do walk like an old man). I’m all for interesting new technologies, things that make life more fun or easier. What I was objecting to in the post had everything to do with Oprah and the specific product she was endorsing. My problem with the Kindle is pretty simple — it’s a closed system. You can only buy your Kindle and your Kindle books from Amazon. The blog Condalmo has pointed out better than I can why this model won’t work. For those who are too lazy to click through and read it, the gist is this: imagine if Sony had decided that its Walkman would only play “Sony Certified Cassettes.” Would that ever have worked? Of course not.
There are other problems with the Kindle, which smart people like Seth Godin and Cory Doctorow (who is actually a big fan of Amazon in most cases) have pointed out: the ebooks are loaded up with nasty DRM, meaning you can’t share them, can’t manipulate them, can’t really do anything with them except read them on your Kindle (and maybe your iPhone if you already have a Kindle and download the app). All the glorious potential of the ebook is being completely wasted on a device that offers only one-way input and little or no transfer of files. On this topic, the strangest responses to that Oprah post I wrote were from authors trumpeting the Kindle as a great achievement for the free movement of information. Really? The ebook is a great leap forward for this, but not when you drape in DRM and restrict it to a single device and sell them at one single store. This model is a bit like the old “company store,” where you have only one choice of where to shop. Perhaps in the future, we’ll all be paid in Amazon scrip? Even Apple doesn’t have a monopoly on selling MP3s for the ipod and the iphone. I’ve started buying my music from Lala.com, where I can listen to a song for free before deciding to buy it, and where the songs are ten cents cheaper and don’t have DRM. It’s just as easy as the itunes store, they have Radiohead songs (yes, songs, not full albums) and a program moves the music right into my iTunes library, where I’m free to do whatever the hell I please with it (That’s how ownership works, right?).
(As a side note, I also think it’s odd whenever I hear authors celebrating the impending death of independent bookstores. I immediately know a few things about these authors: 1. They likely have never published a book. 2. If they have, it is probably self-published. 3. They’ve had their self-published book rejected by their local bookseller, but Amazon carries it. 4. This book is likely about the end of the Mayan calendar.)
To sum up, I get what makes ebooks great. I can see the benefit of having a great, easy-to-use ebook reader, and by most accounts, the Kindle might be this. But it isn’t perfect, and I think there are real doubts about whether it will become “the iPod of books.” Which brings me to the real point of this post: I read an ebook on my iPhone. And the experience was great (with a few caveats).
A few pieces of background information first. I’ve had a few ebooks on my iPhone for the past couple of months, but they weren’t books I’d been dying to read, so I never read them. I downloaded them mainly to test the experience, but of course that didn’t work. The only way to really “test the experience” of a book is to read it. So that’s what I did. I downloaded Cory Doctorow’s book Content (which is freakin’ brilliant, by the way), and decided to read it using the Stanza application. I wanted to read it more or less as I would a physical book; that is, I would read it on the train to work, in bed before falling asleep, and occasionally at lunch. Whether this was the right way or the wrong way to think about ebooks, I wasn’t sure, but it seemed like the best way to try this experiment.
Content was a good choice, as it contains several articles explicitly about ebooks. For now, I’d like to ignore the content (ha!) of the book for a second, and just talk about the experience of reading it. Here’s what I found: for the most part, it was just like reading a physical book. I was wrapped up in the arguments of the book, completely oblivious to the medium on which I was reading it. Yes, the screen was small, but so what? I turned the page more often, which by the way, involves flicking your thumb. In fact, I was kind of into how small the object was. As John Stewart screamed on the Daily Show the other day “You can read with one hand!” (It should be said that I have Ted Williams-esque vision, so I might not be the best test-case for this.)
The process of obtaining the book was also easy. I opened Stanza, went into one of the shared libraries of free books, and downloaded the book. Twenty seconds later, I was reading it. Can’t beat that. (And just to get this out of the way, I feel no guilt whatsoever about reading Doctorow’s book for free. He has written quite a bit about why he gives his books away online, so I won’t regurgitate that here. I do own his book Little Brother in physical form, and I wrote a shelf-talker of it for the store. I also chose it for our first online-only book club, and I’m writing about him here on this blog. I think he’s in the black with me, but I suppose you could look at it differently.) Everytime I opened Stanza, the menu would appear briefly before returning me to the page I’d left off on. It was pretty great.
I’m not sure I can gauge whether it made me read any differently. I felt like I was flying through the book, but that might just be because Doctorow’s a bad ass writer who knows how to string sentences together. Perhaps the easy-turning epages made me read faster, but I doubt it. I’m willing to chalk this one up to the author’s talent and leave it at that. I didn’t find myself jumping out of the program to check out Facebook or Twitter, though, which was interesting. A big complaint about multi-tasking devices as ereaders is that they offer too many distractions. This is certainly true, and I imagine if I’d received a call or a text (nobody ever really tries to contact me, see) I would’ve stopped reading to respond…of course, this is true of reading a physical book, too. I also didn’t find myself switching from book to book like some crazed literature schyzophrenic. I read the book I was reading, and that was it. I didn’t want to read anything else. From other people’s accounts of why they like ebooks, this seems to put me in the minority.
The negatives of reading the ebook were pretty small, but there were a few. This is going to sound kind of dumb, but I really didn’t like that people on the train thought I was watching an episode of “Everybody Loves Raymond” or playing a really slow videogame. I wanted them to see that I was reading, to show off, and I couldn’t. I found myself tempted to say to people “I’m reading, you know. A book. It’s good.” But I didn’t, because that would be weird. I don’t love that there aren’t page numbers (if you click the screen, a little menu appears at the bottom that offers the page numbers within a specific essay, but that’s it), but that’s not the end of the world (I think it might drive me nuts in a novel, where there aren’t as clearly defined break points as in a collection of essays).
Did I miss the feel of the book in my hands? The smell of the paper? The beautiful cover art? No. Maybe my answer would be different if I were reading a novel like Little Bee, which has an incredible cover, but I just didn’t really miss all of that other stuff.
I did feel like the ebook could be doing a little more for me. For instance, if you check out The Stack, you’ll see that I’m still reading The Rest is Noise. I blame this on a few things (getting my hands on In the Drink, a book I’d been searching for, and then getting completely wowed by Emily Mandel’s Last Night in Montreal) but really it’s because I just don’t know what much of the music in the book sounds like. If it were an ebook, and somebody were really crafty about it, they could embed MP3s in the book at the appropriate times so that when I’m reading about Stravinsky, I can get a little snippet of “Rites of Spring.” That would be a great use of the new medium, and when we start seeing ebooks used this way, that’s when they’ll really catch on. Until then, I suspect that the Kindle will sell because it has the easiest purchasing forum (Raise your hand if you’ve visited the Sony ebook store. Am I staring at a room of full pockets?) and because some people love to be the first to have a gadget. In the end, I suspect that a more open device, one that can read books in any format from any source, will rise up and crush the Kindle. Who will make such a device? I wonder.
[Edit: For a good take on what the ebook means for independent bookstores and the particular pressures of the changing market, check out Rich's post at the Word Hoarder.]
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Only this past week have I realized that the books I read most (literary fiction) are usually not even available as e-books. And I really can’t imagine trying to read Sebald (with those ultra long paragraphs) on an iPhone. Anyway I’m willing to shell out the bucks for literary fiction since I like to collect those titles. But the detective fiction that I read occasionally may suit me very well as e-books; I never keep those print editions. So a lot may depend upon the actual type of book one reads.
Wonderful post, Patrick. First things first: You may have this link already, but Alex Ross posted audio clips to aid your reading of The Rest Is Noise here: http://www.therestisnoise.com/2007/01/book-audiofiles.html
My default position used to be fusty, but as I get older I find myself more and more delighted by technology and its promises, both achieved and broken. I LOVE books both for their words and ideas as well as for the physical heft of them. But often, I’m not all that concerned whether I read a beat-up paperback or a signed first edition or a library book or my computer screen. I like the reading experience, which mainly takes place in a place somewhere between the page and my mind, so the delivery system is not primary.
There are limitations, sure. Your point about the closed system is a good one. It practically ensures that someone will need to develop an open system to counter it. Plus, I like the physical variety of books; when I finish a fat one I might like a skinny one or a small print slog might need a wide-margin follow-up (like the Driftless Area, which was wonderfully slim).
I don’t want “real” books to go away; I love books and I’m married to a printer, for crying out loud. But I don’t think they will. Totally, anyway. Vinyl has nurtured a small, devoted following among music fans even as CDs and now mp3s are the preferred form. I imagine the same thing will happen with books: multi-million selling Dan Brown best-sellers will make sense as ebooks, while Netherland or other lit fiction (which sells, what, less than 100K copies usually anyway–and often much, much less–so it’s already a niche format) might be better served being treated as a boutique item.
I used to get three newspapers delivered a day and spend my time browsing record and CD shops. Now I mostly get my news and music online and waste my time on the Internet. I love bookstores and want them to succeed and thrive as things change; I hope they find a way to do that in the face of Kindle or whatever else comes. But whatever happens, I still plan to read.
Again, I appreciate the thoughtful post. If nothing else, it gets people thinking about the future. And that’s gotta be good, right? (Except when they call you a troglodytic old fogie. That’s just unkind.)
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Actually, the Kindle also supports a non-drm format, the Mobi Pocket format. It’s a pretty popular format too. A lot of people focus on Kindle just supporting Kindle books, but that’s just the easiest way to read an ebook on the Kindle. You can also download stuff from free websites (like Feedbooks, which is just AWESOME http://www.feedbooks.com/) or buy it from your favorite webstore (like Fictionwise). Just make sure you buy the Mobipocket format and you’re ready to go. Oh, and it also supports PDF.
Of course, as far as format support goes the Sony E-Reader is much more awesome, since it does support epub natively.
@Paul Jessup
That’s great information. I believe my misunderstanding comes from the fact that independent bookstores can’t sell the Mobi Pocket format of ebooks. (Correct me if I’m wrong on that.) When we used to have ebooks for sale on our site, we offered several formats, including the one format that Microsoft, Palm and Adobe had settled on, but we couldn’t carry Mobi Pocket, as Amazon had proprietary rights to it. I’m curious how estores like Fictionwise and Feedbooks (which I used to get Cory Doctorow’s book, by the way) can carry Mobi Pocket, as I’d understood that only Amazon offered it.
How many books do you read a year? Do you read really fast or just a lot of hours? The blog is great and it is inspiring me to read more. Great work!
Fantastic post Patrick.
I tried to read books on the Kindle and on the Sony eReader, and found both experiences wanting. In fact, I didn’t finish a book on either device despite multiple attempts.
Then I found myself on vacation in Vermont, and I forgot to bring a book. I was miles from a bookstore or library, and had only my iPhone. I downloaded The Art of Racing in the Rain, thinking I would start it on the iPhone and get a copy at the library when I got home. Well, my experience reading on the iPhone was very similar to yours, so I wound up finishing it on the phone (with the eReader software — I found it easier to buy for the eReader than for Stanza).
I had a similar experience with a family vacation this fall, when I downloaded Skinny Dip to my iPhone and read it. (We were in Florida.) One of the great advantages — my wife, son, and I were all sleeping in the same room, and the lights had to be off when I was reading in bed. The iPhone was the perfect solution.
Lastly, I bought (at Elm Street Books in New Canaan, CT — my closest local indie) a copy of Steve Knopper’s Appetite for Self-Destruction, about the demise of the music industry in the face of digitization. I started it, and was enjoying it. Then, for a variety of reasons (including the need to test technological possibilities for the ABA E-commerce sites), I downloaded the book from eReader.com to my iPhone. I’m still reading it, and haven’t touched the p-Book since. I think that’s telling.
I love the things that COULD be done with ebooks. I wrote a book in which various pieces of music were important, but references to these pieces wouldn’t mean much to anyone who didn’t already know them – it would have been fabulous if the book could have been published in a format that allowed readers to hear the pieces. I’ve had ideas for books that introduce readers to Arabic, but there’s an obstacle: Arabic has many consonants that have no equivalent in English (a “thick” s, d, t, the letter ain which is sort of like a gulp, the letter ghain which is sort of like a gargle), and describing them is really no substitute for hearing them. If one could write a book which could be accompanied by some kind of soundtrack, it would transform the book.
As things stand, there’s a big gap between the books we read as children, which are generously illustrated, and books for adults, which rarely have pictures; a professional writer finds out after a while that pictures, especially pictures with color, are prohibitively expensive. The expense of images in e-format is quite different – they take up more memory, yes, so they’re not cost-free, but this isn’t remotely comparable to the hike in cost faced by a publisher who takes on, say, the color pages of Foer’s Incredibly Loud and Unbelievably Close.
Several years ago I read Hockney’s My Early Years, That’s the Way I See It, and Paper Pools. I was overwhelmed by the power of these narratives, and I realized after a while that this had to do with the integration of text and image – something commonplace in art books which is never seen in fiction for adults. I like having these as physical books, so I would be sorry if they were available only in e-format – but as things stand we don’t see such things in fiction in any format. E-books might be one way to open up a wider range of formal possibilities.
i was very disappointed with my sony e-book experience. i was really looking forward to reading Doris Kearns Goodwin Team of Rivals on the ebook, so that i wouldn’t have to lift and carry around that heavy book.
Three things particularly bothered me so that I could not finish reading the book.
1. I found the black out when turning each page very annoying.
2. I was looking forward to using the large print feature, but when i did, the page got so few words on it, that i was constantly turning the page (see 1 above).
3. It was not easy to page to the end of the chapter to see how many more pages to go. Possible but not easy as it is with a paper book.
I’ll continue to struggle with paper books.